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New York City Ballet ( NYCB) is a ballet company founded in 1948 by choreographer George Balanchine [1] and Lincoln Kirstein. [2] Balanchine and Jerome Robbins are considered the founding choreographers of the company. Léon Barzin was the company's first music director. City Ballet grew out of earlier troupes: the Producing Company of the ...
Balanchine's use of musicality can also be seen in this work. His other famous works with New York City Ballet are popular today and are performed in the Lincoln Center by New York City Ballet: Mozartiana, Apollo, Orpheus, and A Midsummer Night's Dream. Death. In his last years, Balanchine had angina pectoris and underwent heart bypass surgery.
Jewels (ballet) Jewels. (ballet) Jewels is a three-act ballet created for the New York City Ballet by co-founder and founding choreographer George Balanchine. It premièred on Thursday, 13 April 1967 at the New York State Theater, with sets designed by Peter Harvey and lighting by Ronald Bates. [1]
The Nutcracker. (Balanchine) Choreographer George Balanchine 's production of Peptipa and Tchaikovsky 's 1892 ballet The Nutcracker is a broadly popular version of the ballet often performed in the United States. Conceived for the New York City Ballet, its premiere took place on February 2, 1954, at City Center, New York, with costumes by ...
George Balanchine in 1965 This is a list of ballets by George Balanchine (1904–1983), New York City Ballet co-founder and ballet master. Chronological [ edit ]
A Midsummer Night's Dream, Balanchine's first completely original full-length ballet, premiered at New York City Ballet on 17 January 1962, [1] [2] with Edward Villella in the role of Oberon, Melissa Hayden in the role of Titania, and Arthur Mitchell in the role of Puck. They were joined by Francisco Moncion in the role of Theseus- Duke of Athens.
La Valse is a ballet choreographed by George Balanchine to Maurice Ravel 's Valses Nobles et Sentimentales and La Valse. It premiered on February 20, 1951, at the City Center of Music and Drama, performed by the New York City Ballet. The ballet depicts dancers waltzing in a ballroom, during which a woman becomes attracted to a figure of death ...
It's provocative to aspire to slip into the mind of one of ballet's great masters, but Lincoln Jones sees it as a progression in his long devotion to George Balanchine's art.