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Place de la Concorde or Viscount Lepic and his Daughters Crossing the Place de la Concorde is an 1875 oil painting by Edgar Degas. [1] It depicts the cigar-smoking Ludovic-Napoléon Lepic, his daughters Eylau and Jeanine, his dog, and a solitary man on the left at Place de la Concorde in Paris.
Oil on canvas. Dimensions. 53 cm × 40 cm (21 in × 16 in) Location. Metropolitan Museum of Art, New York. Accession. 29.100.44. The Collector of Prints is an oil on canvas painting executed in 1866 by the French artist Edgar Degas. It is now in the collection of the Metropolitan Museum of Art.
The Orchestra at the Opera (c. 1870) is an oil-on-canvas painting by the French artist Edgar Degas (1834–1917).. The musicians depicted in the orchestra pit of the Salle Le Peletier the home of the Paris Opera (from 1821 until it burnt down in 1873) are mostly portraits of friends of Degas, foremost among them pictorially the bassoonist and composer Désiré Dihau (1838–1909), who ...
On November 26, 2003, supersonic airplane Concorde made its last flight, returning to the airfield near Bristol, in southwest England, where it’s remained since.
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Development aircraft. The production aircraft were different in many ways from the original aircraft, necessitating re-examining certain areas to obtain certification. In all there were six "development" aircraft: the two prototypes (001/002), two pre-production (101/102) and two production aircraft (201/202).
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Concorde ( / ˈkɒŋkɔːrd /) is a retired Anglo-French supersonic airliner jointly developed and manufactured by Sud Aviation (later Aérospatiale) and the British Aircraft Corporation (BAC).
Dancers Onstage (French - Danseuses sur la scène) is an 1889 oil on canvas painting by Edgar Degas, now in the Musée des Beaux-Arts de Lyon. Theme. Degas is the painter of dancers because of the large number of works he devoted to this subject during the period 1860–1890. References
Blue Dancers (French - Danseuses bleues) is an 1897 pastel by Edgar Degas. It is held in the Pushkin Museum, in Moscow, which it entered in 1948 from the State Museum of Modern Western Art. It was in Durand-Ruel 's collection and then until 1918 in Sergei Shchukin 's collection in Moscow. [1]