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Marriage A-la-Mode[1][fn 1] is a series of six pictures painted by William Hogarth between 1743 and 1745, intended as a pointed skewering of 18th-century society. They show the disastrous results of an ill-considered marriage for money or social status, and satirize patronage and aesthetics. The pictures are held in the National Gallery in London.
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The Bagnio is the fifth canvas in the series of six satirical paintings known as Marriage A-la-Mode painted by William Hogarth. The new Earl catches his wife with her lover, Silvertongue, and is fatally wounded by the scoundrel who makes his escape through the window. This episode takes place in the Turk's Head Bagnio in Bow Street, Covent ...
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The Toilette, called The countess's morning levee on the frame, [1] is the fourth canvas in the series of six satirical paintings known as Marriage A-la-Mode painted by William Hogarth . The old earl has died, so the son is now the new earl, and his wife is the countess. As was still the fashion at the time, the countess is holding a reception ...
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Year. 1743. Medium. Oil on canvas. Dimensions. 69.9 cm × 90.8 cm (27.5 in × 35.7 in) Location. National Gallery, London. The Tête à Tête is the second canvas in the series of six satirical paintings known as Marriage A-la-Mode, painted by William Hogarth.
The Lady's Death. Marriage A-la-Mode: 6. The Lady's Death. The Lady's Death is the sixth and final canvas in the series of satirical paintings known as Marriage A-la-Mode painted by William Hogarth . The Countess has returned to her father's house after her husband’s murder. The moral drama is concluded with her having moved from dissipation ...