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The dominant 7 ♯ 11 or Lydian dominant (C 7 ♯ 11) comprises the notes: r, 3, (5), ♭ 7, (9), ♯ 11, (13) Basing this chord on the pitch C results in the pitches: C, E, G, B ♭, (D), F ♯, (A) The same chord type may also be voiced: C, E, B ♭, F ♯, A, D, F ♯ This voicing omits the perfect fifth (G) and raises the major ninth (D) by ...
It was released on November 25, 2014, by Columbia Records as the second single from the reissue. The song was written by Beyoncé, Bobby Johnson, and Alonzo Holt. "7/11" is a trap song with elements of hip hop present in its composition. It features rap -singing vocals by Beyoncé over a warped up-tempo beat.
Singles from Kulayan Natin. "Tahanan". Released: March 15, 2018. "Oras". Released: August 29, 2018. "Kalachuchi". Released: December 1, 2018. Kulayan Natin is the debut studio album by Filipino indie folk band Munimuni. It was released on July 26, 2019 by Marilag Records and Productions.
7-Eleven, Inc. 7-Eleven, Inc. [2] is an American convenience store chain, headquartered in Irving, Texas and owned by Japanese company Seven & I Holdings through Seven-Eleven Japan Co., Ltd. [3] The chain was founded in 1927 as an ice house storefront in Dallas. It was named Tote'm Stores between 1928 and 1946.
Typically found in jazz, an eleventh chord also usually includes the seventh and ninth, and elements of the basic triad structure. Variants include the dominant eleventh (C 11, C–E–G–B ♭ –D–F), minor eleventh (Cm 11, C–E ♭ –G–B ♭ –D–F), and major eleventh chord (Cmaj 11, C–E–G–B–D–F).
In jazz and jazz fusion, compositions consist of complex chord progressions in which many of the chords are extended chords and in which many of the dominant seventh chords are altered extended chords (e.g., A 7add9♯11 or D 7♭9♯11 ).
In the key of C major, the I major 7 chord is "C, E, G, B," the iii chord ("III–7") is E minor 7 ("E, G, B, D") and the vi minor 7 chord is A minor 7 ("A, C, E, G"). Both of the tonic substitute chords use notes from the tonic chord, which means that they usually support a melody originally designed for the tonic (I) chord.
Sevenths on suspended chords are "virtually always minor sevenths" (7sus4), while the 9sus4 chord is similar to an eleventh chord and may be notated as such. For example, C 9sus4 (C–F–G–B ♭ –D) may be notated C 11 (C–G–B ♭ –D–F).
In jazz, 7 ♯ 9 chords, along with 7 ♭ 9 chords, are often employed as the dominant chord in a minor ii–V–I turnaround. For example, a ii–V–I in C minor could be played as: Dm 7 ♭ 5 – G 7 ♯ 9 – Cm 7. The 7 ♯ 9 represents a major divergence from the world of tertian chord theory, where chords are stacks of major and minor ...
Elliott Antokoletz says the "so-called 'mystic chord'" approximates harmonics 7 through 13 ( 7, 8, 9, 10, ( 11 ,) 12, 13 = C, D -, E, F ♯, (G ↑ - ,) A, B ♭- ). [7] Play ⓘ. The notes of the chord also conform to a Lydian dominant quality, the fourth mode of the melodic minor scale .