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  2. Children, Go Where I Send Thee - Wikipedia

    en.wikipedia.org/wiki/Children,_Go_Where_I_Send_Thee

    The lyrics also show a trend toward those more commonly associated with "Children, Go Where I Send Thee." For instance, the line "Two, two, the lily-white boys clothed all in green" in Grainger's recording has become "One was the little white babe all dressed in blue" in the Bellwood Prison Camp recording.

  3. Mairzy Doats - Wikipedia

    en.wikipedia.org/wiki/Mairzy_Doats

    Mairzy Doats. “Mairzy Doats” is a novelty song written and composed in 1943 by Milton Drake, Al Hoffman, and Jerry Livingston. It contains lyrics that make no sense as written, but are near homophones of meaningful phrases. The song's title, for example, is a homophone of "Mares eat oats". The song was first played on radio station WOR, New ...

  4. Lydian chord - Wikipedia

    en.wikipedia.org/wiki/Lydian_chord

    The dominant 7 ♯ 11 or Lydian dominant (C 7♯11) comprises the notes: r, 3, (5), ♭ 7, (9), ♯ 11, (13) Basing this chord on the pitch C results in the pitches: C, E, G, B ♭, (D), F ♯, (A) The same chord type may also be voiced: C, E, B ♭, F ♯, A, D, F ♯.

  5. Only a Northern Song - Wikipedia

    en.wikipedia.org/wiki/Only_a_Northern_Song

    In musicologist Walter Everett's description, this is achieved musically through the use of "ill-behaved tones" and "wrong-mode" chords. From the verse's opening A major chord, the melody moves to a ii minor voicing, rendered as B minor 7/11 through the inclusion of a low-register E note.

  6. Twelve-bar blues - Wikipedia

    en.wikipedia.org/wiki/Twelve-bar_blues

    See media help. The twelve-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on the I, IV, and V chords of a key.

  7. Seventh chord - Wikipedia

    en.wikipedia.org/wiki/Seventh_chord

    A seventh chord is a chord consisting of a triad plus a note forming an interval of a seventh above the chord's root. When not otherwise specified, a "seventh chord" usually means a dominant seventh chord : a major triad together with a minor seventh .

  8. The Lost Chord - Wikipedia

    en.wikipedia.org/wiki/The_Lost_Chord

    The Lost Chord. " The Lost Chord " is a song composed by Arthur Sullivan in 1877 at the bedside of his brother Fred during Fred's last illness. The manuscript is dated 13 January 1877; Fred Sullivan died five days later. The lyric was written as a poem by Adelaide Anne Procter called "A Lost Chord", published in 1860 in The English Woman's Journal.

  9. Edge of Seventeen - Wikipedia

    en.wikipedia.org/wiki/Edge_of_Seventeen

    The lyrics were written by Nicks to express the grief resulting from the death of her uncle Jonathan and the murder of John Lennon during the same week of December 1980. The song features a distinctive, chugging 16th-note guitar riff, drum beat and a simple chord structure typical of Nicks' songs.

  10. O Come, All Ye Faithful - Wikipedia

    en.wikipedia.org/wiki/O_Come,_All_Ye_Faithful

    1751. " O Come, All Ye Faithful ", also known as " Adeste Fideles ", is a Christmas carol that has been attributed to various authors, including John Francis Wade (1711–1786), John Reading (1645–1692), King John IV of Portugal (1604–1656), and anonymous Cistercian monks. The earliest printed version is in a book published by Wade.

  11. Not a Second Time - Wikipedia

    en.wikipedia.org/wiki/Not_a_Second_Time

    George Martin. " Not a Second Time " is a song by English rock band the Beatles. It was written by John Lennon, though credited to the Lennon–McCartney partnership. It was first released on the Beatles second British album, With the Beatles, and their second American album Meet the Beatles!. Lennon said he was "trying to write a Smokey ...