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Mir Taqi Mir was often compared with the later day Urdu poet, Mirza Ghalib. Lovers of Urdu poetry often debate Mir's supremacy over Ghalib or vice versa. It may be noted that Ghalib himself acknowledged, through some of his couplets, that Mir was indeed a genius who deserved respect.
The principal forms of Urdu poetry are: Ghazal غزل, is a set of two liner couplets, which strictly should end with the same rhyme and should be within one of the predefined meters of ghazals. There has to be a minimum of five couplets to form a ghazal.
22 (11 couplets) Sarfaroshi Ki Tamanna is an Urdu patriotic poem written by Bismil Azimabadi as a dedication to young freedom fighters of the Indian independence movement. [1] This poem was popularized by Ram Prasad Bismil.
Urdu ghazal is a form of lyrical poetry that originated in the Urdu language during the Mughal Empire. It consists of rhyming couplets, with each line sharing the same meter. Themes Love ('ishq) A common theme of the ghazal is of the tortured ('ashiq) pursuing an indifferent or cruel beloved (mehboob).
Doha (Urdu: دوہا, Hindi: दोहा, Punjabi: ਦੋਹਾ) is a form of self-contained rhyming couplet in poetry composed in Mātrika metre. This genre of poetry first became common in Apabhraṃśa and was commonly used in Hindustani language poetry.
A shayar is a poet who composes sher or couplet in Urdu poetry (Urdu shayari). A shayar is someone who writes ghazals, nazms using the Urdu, Hindi & Bangla language. [1]
Khushbu (Urdu: خوشبو) is a volume of poetry written by Pakistani poet and columnist Parveen Shakir, and published in 1976.
Mirza Salaamat Ali Dabeer (Urdu: مِرزا سلامت علی دبِیر), (29 August 1803 – 6 March 1875) was an Urdu poet who excelled and perfected the art of Marsiya writing. He is considered the leading exponent of Marsiya Nigari or marsiya writing along with Mir Anees .
The M. (Persian/Arabic/Urdu: مطلع) is the first sher, or couplet, of a ghazal, a collection of poems in Urdu or Persian poetry. It is possible, although extremely rare, for there to be more than one matla in a ghazal; in this case the second is referred to as matla-e-sani, literally the second matla. It is important part because it ...
Qaafiyaa or qafiyah (Persian: قافیہ, Urdu: قافیہ) is a device employed in a form of Persian poetry and Urdu poetry known as ghazal (a poetic form consisting of couplets which share a rhyme and a refrain) and also in nazm.
