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In jazz music, the lydian chord is the major 7♯11 chord, [1] or ♯11 chord, the chord built on the first degree of the Lydian mode, the sharp eleventh being a compound augmented fourth. This chord, built on C, is shown below. This is described as "beautiful" and "modern sounding." [1]
Typically found in jazz, an eleventh chord also usually includes the seventh and ninth, and elements of the basic triad structure. Variants include the dominant eleventh (C 11, C–E–G–B ♭ –D–F), minor eleventh (Cm 11, C–E ♭ –G–B ♭ –D–F), and major eleventh chord (Cmaj 11, C–E–G–B–D–F). [1]
Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord; Root (chord) Seventh chord; Synthetic chord; Thirteenth chord; Tone ...
Ninth, eleventh, and thirteenth chords are extended chords. [2] The thirteenth is the farthest extension diatonically possible as, by that point, all seven tonal degrees are represented within the chord (the next extension, the fifteenth, is the same as the root of the chord).
A seventh chord is a chord consisting of a triad plus a note forming an interval of a seventh above the chord's root. When not otherwise specified, a "seventh chord" usually means a dominant seventh chord : a major triad together with a minor seventh .
Major seventh chord: CM 7 C ∆7: Cmaj 7: P1: M3: P5: M7 Augmented triad: C+ Caug P1: M3: A5: Augmented seventh chord: C+ 7: Caug 7: P1: M3: A5: m7 Minor triad: Cm Cmin P1: m3: P5: Minor sixth chord: Cm 6: Cmin 6: P1: m3: P5: M6: Minor seventh chord: Cm 7: Cmin 7: P1: m3: P5: m7: Minor-major seventh chord: Cm M7 Cm/M7 Cm(M7) Cmin maj7 Cmin/maj7 ...
In music theory, a dominant seventh chord, or major minor seventh chord, is a seventh chord, composed of a root, major third, perfect fifth, and minor seventh. Thus it is a major triad together with a minor seventh, denoted by the letter name of the chord root and a superscript "7".
C 11 without 3rd and 5th = C–(E)–(G)–B ♭ –D–F C–F–B ♭ –D = B ♭ /C. If the ninth is omitted, the chord is no longer an extended chord but an added tone chord. Without the third, this added tone chord becomes a 7sus4 (suspended 7th chord). For instance: C 11 without 9th = C 7add11 = C–E–G–B ♭ –(D)–F
A minor seventh chord (C− 7, Cmin 7, Cmi 7, or Cm 7) contains the notes: root, ♭ 3, 5, 7, (9), (11), (13). A minor ninth chord (C− 9, Cmin 9, Cmi 9, or Cm 9) contains the notes: root, ♭ 3, 5, 7, 9, (11), (13). A minor eleventh chord (C− 11, Cmin 11, Cmi 11, or Cm 11) contains the notes: root, ♭ 3, 5, 7, (9), 11, (13).
A minor major seventh chord, or minor/major seventh chord (also known as the Hitchcock Chord) is a seventh chord composed of a root, minor third, perfect fifth, and major seventh (1, ♭ 3, 5, and 7). It can be viewed as a minor triad with an additional major seventh.