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Balanchine's father Meliton. Balanchine was born Georgiy Melitonovich Balanchivadze in Saint Petersburg, Russian Empire, son of Georgian opera singer and composer Meliton Balanchivadze, one of the founders of the Tbilisi Opera and Ballet Theatre and later the culture minister of the short-lived Democratic Republic of Georgia, which became independent in 1918 but was later subsumed into the ...
Ziegfeld Follies of 1936. Words without Music: A Surrealist Ballet, a production number for the singing and dancing ensemble Night Flight, a solo for Harriet Hoctor 5 A.M., a number for Josephine Baker and male dancers
Pages in category "New York City Ballet principal dancers" The following 104 pages are in this category, out of 104 total. This list may not reflect recent changes .
The second film adaptation was a 1993 film of the New York City Ballet version, titled George Balanchine's The Nutcracker, with David Zinman conducting the New York City Ballet Orchestra. The director was Emile Ardolino , who had won the Emmy, Obie, and Academy Awards for filming dance, and was to die of AIDS later that year.
Carlotta Brianza and Pavel Gerdt of the Imperial Ballet as Princess Aurora and Prince Desire in the 1890 premiere of the Sleeping Beauty.. The Mariinsky Ballet was founded in the 1740s, following the formation of the first Russian dance school in 1738.
Suzanne Farrell and George Balanchine dancing in a segment of "Don Quixote" at New York State Theater. Developed by George Balanchine at the New York City Ballet. His method draws heavily on his own training as a dancer in Russia. The technique is known for extreme speed throughout routines, emphasis on lines, and deep pliés.
Alexander Borisovich Godunov (Russian: Александр Борисович Годунов; November 28, 1949 – May 1995) [4] was a Russian-American ballet dancer and film actor. A member of the Bolshoi Ballet , he became the troupe's Premier danseur .
Choreography: Alexander Gorsky (after Petipa) Company: Bolshoi Ballet, Moscow Premiere: 1919 Russian choreographer Alexander Gorsky, who staged a production of The Nutcracker in Moscow in 1919, is credited with the idea of combining Clara and the Sugar Plum Fairy's roles (i.e. giving the Fairy's dances to Clara), eliminating the Sugar Plum Fairy's Cavalier, giving the Cavalier's dances to the ...
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