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Metrô is a Brazilian band formed in 1978, then known as A Gota Suspensa before renaming themselves in 1984. Beginning as a progressive rock band, they later shifted to a more synth-pop-influenced direction, becoming one of the most successful groups in the then-thriving Brazilian rock/new wave scene.
Election. The choice of the "100 greatest" was based on the sum of votes of 60 scholars, producers and Brazilian music journalists. Each of the voters chose 20 albums, in no order of preference, which according to Rolling Stone, should be based on criteria like "intrinsical artistic value and historical importance, that is, how much the album influenced other artists."
The music of Brazil encompasses various regional musical styles influenced by European, American, African and Amerindian forms.Brazilian music developed some unique and original styles such as forró, repente, coco de roda, axé, sertanejo, samba, bossa nova, MPB, gaucho music, pagode, tropicália, choro, maracatu, embolada (coco de repente), frevo, brega, modinha and Brazilian versions of ...
Karine Assis Vinagre [1] " Ai Se Eu Te Pego " ( Portuguese pronunciation: [ˈaj sj ˈew tʃi ˈpɛɡu]; transl. Oh, If I Catch You) is a 2008 song by Sharon Acioly and Antônio Dyggs, with co-authorship by Aline da Fonseca, Amanda Teixeira and Karine Assis Vinagre [1] and first performed by Os Meninos de Seu Zeh, directed by Dyggs himself.
The MTV Video Music Brazil awards (originally Video Music Awards Brazil), more commonly known as VMB, were MTV Brasil 's annual award ceremony, established in 1995. MTV viewers picked the winners for most categories since 2001. Unlike in the MTV Video Music Awards, the most important category at the MTV Video Music Brazil was the Viewer's ...
Tropicália ( Portuguese pronunciation: [tɾopiˈkaʎɐ, tɾɔpiˈkaljɐ] ), also known as tropicalismo ( [tɾopikɐˈlizmu, tɾɔpikaˈ-] ), was a Brazilian artistic movement that arose in the late 1960s. It was characterized by the amalgamation of Brazilian genres—notably the union of the popular and the avant-garde, as well as the melding ...
Known informally as " Charlie on the MTA ", the song's lyrics tell an absurd tale of a man named Charlie trapped on Boston 's subway system, which was then known as the Metropolitan Transit Authority (MTA). The song was originally recorded as a mayoral campaign song for Progressive Party candidate Walter A. O'Brien.
Marília Dias Mendonça (Brazilian Portuguese: [maˈɾiljɐ mẽˈdõsɐ]; 22 July 1995 – 5 November 2021) was a Brazilian singer, songwriter and instrumentalist, posthumously recognized in Brazil as the Queen of Sofrência, a subgenre of sertanejo music, and has been recognized for her contribution to female empowerment by revolutionizing the universe of sertanejo music.