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George Martin. " Not a Second Time " is a song by English rock band the Beatles. It was written by John Lennon, though credited to the Lennon–McCartney partnership. It was first released on the Beatles second British album, With the Beatles, and their second American album Meet the Beatles!. Lennon said he was "trying to write a Smokey ...
It is in 3/4 time, in the key of E major and musically and lyrically derived from the final part of "Cord Of Life". Lyrically it consists only of four lines, accompanied only by Howe's guitars, acoustic and steel. And you and I climb, crossing the shapes of the morning. And you and I reach over the sun for the river.
The twelve-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on the I, IV, and V chords of a key.
For other songs, see 7-Eleven (disambiguation). " 7/11 " is a song recorded by American singer Beyoncé for the reissue of her fifth studio album Beyoncé (2013), subtitled Platinum Edition (2014). It was released on November 25, 2014, by Columbia Records as the second single from the reissue. The song was written by Beyoncé, Bobby Johnson ...
A seventh chord is a chord consisting of a triad plus a note forming an interval of a seventh above the chord's root. When not otherwise specified, a "seventh chord" usually means a dominant seventh chord : a major triad together with a minor seventh .
Woody Guthrie rewrote the lyrics to the song in 1949 and adapted the song to become “Come When I Call You.” Written about the ravages of war in the aftermath of World War II, the song would go unpublished until the late 90s.
"7 and 7 Is" is a song written by Arthur Lee and recorded by his band Love on June 17 and 20, 1966, at Sunset Sound Recorders in Hollywood. It was produced by Jac Holzman and engineered by Bruce Botnick. The song was released as the A-side of Elektra single 45605 in July, 1966.
In musicologist Walter Everett's description, this is achieved musically through the use of "ill-behaved tones" and "wrong-mode" chords. From the verse's opening A major chord, the melody moves to a ii minor voicing, rendered as B minor 7/11 through the inclusion of a low-register E note.
Suzannah Clark, a music professor at Harvard, connected the piece's resurgence in popularity to the harmonic structure, a common pattern similar to the romanesca.The harmonies are complex, but combine into a pattern that is easily understood by the listener with the help of the canon format, a style in which the melody is staggered across multiple voices (as in "Three Blind Mice").
Irving Townsend [1] " All Blues " is a jazz composition by Miles Davis first appearing on the influential 1959 album Kind of Blue. It is a twelve-bar blues in 6. 8; the chord sequence is that of a basic blues and made up entirely of seventh chords, with a ♭ VI in the turnaround instead of just the usual V chord.