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MUA → MTA → … → MTA → MUA, Other divisions have been made to draw distinctions that some have found useful, which are detailed as follows. A detailed flow of a message through these various agents is given at , and may be summarized as MUA → MSA → MTA → … → MTA → MDA →→ MRA →→ MUA,
My Beautiful Laundrette is a 1985 British romantic comedy-drama film directed by Stephen Frears from a screenplay by Hanif Kureishi. The film was one of the first films released by Working Title Films .
Known informally as "Charlie on the MTA", the song's lyrics tell an absurd tale of a man named Charlie trapped on Boston's subway system, which was then known as the Metropolitan Transit Authority (MTA).
The Triborough Bridge and Tunnel Authority (TBTA), doing business as MTA Bridges and Tunnels, is an affiliate agency of the Metropolitan Transportation Authority that operates seven toll bridges and two tunnels in New York City. The TBTA is the largest bridge and tunnel toll agency in the United States by traffic volume.
Contactless trial on the IRT Lexington Avenue Line, 2007. Subway tokens had been used as the MTA subway and bus systems' form of fare payment since the 1950s. MetroCards made by Cubic Transportation Systems started to replace the tokens in 1992; the MetroCards used magnetic stripes to encode the fare payment.
Matthew L. Gibson (1985-), Science instructor emeritus at Portal High School and Curator of Natural History at the Charleston Museum, credited as America's First Museum. [9] Gibson also published a Journal of Paleontology articles which designate a new species of pontoporiid dolphin, Auroracetus bakerae as well as a new species of protocetid ...
My Mister tells the story of an impoverished and debt-laden young woman struggling to stay afloat as she nurses her deaf, sick grandmother and working a temporary job.. She develops an unlikely bond with one of her equally miserable supervisors (Lee Sun-kyun), who is subjected to scrutiny and manipulation by his colleagues, friends, and dysfunctional fami
"My Boo" is a duet between American R&B singers Usher and Alicia Keys, written by the artists alongside Adonis Shropshire, Manuel Seal, and Jermaine Dupri, the latter of whom produced it with No I.D.—who is uncredited.