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  2. Comparison of digital and film photography - Wikipedia

    en.wikipedia.org/wiki/Comparison_of_digital_and...

    However, even if both techniques have inherent noise, it is widely appreciated that for color, digital photography has much less noise/grain than film at equivalent sensitivity, leading to an edge in image quality. [10] For black-and-white photography, grain takes a more positive role in image quality, and such comparisons are less valid.

  3. List of digital cameras with CCD sensors - Wikipedia

    en.wikipedia.org/wiki/List_of_digital_cameras...

    The following digicams include a 2/3″ CCD sensor, a fixed lens with a maximum aperture of f/ 2.4 or wider, and SD or CompactFlash (CF) memory card slots. However none of them support SDHC / SDXC memory cards or AA / AAA batteries . Even larger CCD sensors were only included in interchangeable-lens cameras, such as the Canon 1D, Nikon D60, and ...

  4. Canon EOS 5D Mark II - Wikipedia

    en.wikipedia.org/wiki/Canon_EOS_5D_Mark_II

    Canon EOS 5D Mark II. up to 3.9 frame/s. The Canon EOS 5D Mark II is a 21.0 effective megapixel full-frame CMOS digital single-lens reflex camera made by Canon, the first Canon EOS camera to have video recording capabilities. It succeeds the EOS 5D and was announced on 17 September 2008.

  5. Digital photography - Wikipedia

    en.wikipedia.org/wiki/Digital_photography

    In July 2003, digital cameras entered the disposable camera market with the release of the Ritz Dakota Digital, a 1.2-megapixel (1280 × 960) CMOS-based digital camera costing only $11. Following the familiar single-use concept long in use with film cameras, Ritz intended the Dakota Digital for single use.

  6. Kodak DCS - Wikipedia

    en.wikipedia.org/wiki/Kodak_DCS

    Kodak DCS. A Kodak DCS 420, a 1.2-megapixel digital SLR based on a Nikon F90 body. The Kodak Digital Camera System is a series of digital single-lens reflex cameras and digital camera backs that were released by Kodak in the 1990s and 2000s, and discontinued in 2005. [1] They are all based on existing 35mm film SLRs from Nikon, Canon and Sigma.

  7. Still video camera - Wikipedia

    en.wikipedia.org/wiki/Still_video_camera

    A still video camera ( SVC) is a type of electronic camera that takes still images and stores them as single frames of video. They peaked in popularity in the late 1980s [citation needed] and can be seen as the predecessor to the digital camera. However, unlike the latter, the image storage in such cameras is based on analog technology, rather ...

  8. Red Digital Cinema - Wikipedia

    en.wikipedia.org/wiki/Red_Digital_Cinema

    red .com. Red Digital Cinema, LLC is an American camera manufacturer specializing in digital cinematography headquartered in Foothill Ranch, California, United States. It has been owned by Nikon since April 2024. [1] The company has studios in Hollywood, Los Angeles and has offices in London, Shanghai, and Singapore as well as retail stores in ...

  9. Nikon 1 J1 - Wikipedia

    en.wikipedia.org/wiki/Nikon_1_J1

    Nikon 1 J1. The Nikon 1 J1 is a Nikon 1 series high-speed mirrorless interchangeable-lens camera with 1" sensor size launched by Nikon on September 21, 2011. It is a new model that focuses on high-performance, portability and versatility. Nikon lists the estimated selling price of the Nikon 1 J1 One-Lens Kit in the United States at $649.95.

  10. DIGIC - Wikipedia

    en.wikipedia.org/wiki/DIGIC

    Digital Imaging Integrated Circuit (often styled as "DiG!C") is Canon Inc. 's name for a family of signal processing and control units for digital cameras and camcorders. DIGIC units are used as image processors by Canon in its own digital imaging products. Several generations of DIGICs exist, and are distinguished by a version number suffix.

  11. Café Society (2016 film) - Wikipedia

    en.wikipedia.org/wiki/Café_Society_(2016_film)

    Principal photography on the film began on August 17, 2015, in and around Los Angeles. On September 8, 2015, filming moved to New York City, where it was shot in Brooklyn. Allen moved to digital for the first time, using a Sony CineAlta F65 camera for this, his 47th film.