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In jazz music, the lydian chord is the major 7♯11 chord, [1] or ♯11 chord, the chord built on the first degree of the Lydian mode, the sharp eleventh being a compound augmented fourth. This chord, built on C, is shown below. This is described as "beautiful" and "modern sounding." [1]
Typically found in jazz, an eleventh chord also usually includes the seventh and ninth, and elements of the basic triad structure. Variants include the dominant eleventh (C 11, C–E–G–B ♭ –D–F), minor eleventh (Cm 11, C–E ♭ –G–B ♭ –D–F), and major eleventh chord (Cmaj 11, C–E–G–B–D–F). [1]
Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord; Root (chord) Seventh chord; Synthetic chord; Thirteenth chord; Tone ...
A seventh chord is a chord consisting of a triad plus a note forming an interval of a seventh above the chord's root. When not otherwise specified, a "seventh chord" usually means a dominant seventh chord : a major triad together with a minor seventh .
Major seventh chord: CM 7 C ∆7: Cmaj 7: P1: M3: P5: M7 Augmented triad: C+ Caug P1: M3: A5: Augmented seventh chord: C+ 7: Caug 7: P1: M3: A5: m7 Minor triad: Cm Cmin P1: m3: P5: Minor sixth chord: Cm 6: Cmin 6: P1: m3: P5: M6: Minor seventh chord: Cm 7: Cmin 7: P1: m3: P5: m7: Minor-major seventh chord: Cm M7 Cm/M7 Cm(M7) Cmin maj7 Cmin/maj7 ...
C 11 without 3rd and 5th = C–(E)–(G)–B ♭ –D–F C–F–B ♭ –D = B ♭ /C. If the ninth is omitted, the chord is no longer an extended chord but an added tone chord. Without the third, this added tone chord becomes a 7sus4 (suspended 7th chord). For instance: C 11 without 9th = C 7add11 = C–E–G–B ♭ –(D)–F
A minor major seventh chord, or minor/major seventh chord (also known as the Hitchcock Chord) is a seventh chord composed of a root, minor third, perfect fifth, and major seventh (1, ♭ 3, 5, and 7). It can be viewed as a minor triad with an additional major seventh.
In music theory, a dominant seventh chord, or major minor seventh chord, is a seventh chord, composed of a root, major third, perfect fifth, and minor seventh. Thus it is a major triad together with a minor seventh, denoted by the letter name of the chord root and a superscript "7".
In music, a major seventh chord is a seventh chord in which the third is a major third above the root and the seventh is a major seventh above the root. The major seventh chord, sometimes also called a Delta chord, can be written as maj 7, M 7, Δ, ⑦, etc. The "7" does not have to be superscripted, but if it is, then any alterations, added ...
A minor seventh chord (C− 7, Cmin 7, Cmi 7, or Cm 7) contains the notes: root, ♭ 3, 5, 7, (9), (11), (13). A minor ninth chord (C− 9, Cmin 9, Cmi 9, or Cm 9) contains the notes: root, ♭ 3, 5, 7, 9, (11), (13). A minor eleventh chord (C− 11, Cmin 11, Cmi 11, or Cm 11) contains the notes: root, ♭ 3, 5, 7, (9), 11, (13).