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"Jeanny" is a song by Austrian singer Falco, released in December 1985 as the third single from his third studio album, Falco 3 (1985). [1] It was written and composed by Falco and Rob and Ferdi Bolland, who also produced the song.
On Nov. 7, 2001, when Alan Jackson debuted “Where Were You (When the World Stopped Turning)” live at the Country Music Association Awards, he knew the performance would be an important and ...
"911 Song" was released on September 11, 2002, the one-year anniversary of the terrorist attacks on the United States, by the Japanese hip-hop group King Giddra. King Giddra released this single as part of their album Saishuu Heiki/The Final Weapon. The song delivers potent, politically charged lyrics that challenge the United States government ...
Bounce is the eighth studio album by American rock band Bon Jovi, released on October 8, 2002 through Island Records.Produced by Luke Ebbin, Jon Bon Jovi and Richie Sambora, the album was recorded at Sanctuary II Studio in New Jersey.
11:11 is a double album, with its two sides containing 11 tracks each. [17] The album's musical style mixes R&B, pop music, Afrobeats and dancehall. [2] According to Kayla Sandiford of Renowned for Sound, 11:11 "seeks to make use of a range of rhythmic elements", with Brown incorporating Afrobeats "on various tracks which embrace a funkier, percussion-driven feel". [18]
Ang Bandang Shirley (or Shirley) is a Filipino pop rock band which started in 2003, with Owel Alvero and Emmanuel (Ean) Aguila as the original members.With the eventual addition of other band members—Joe Fontanilla, Zig Rabara, Jing Gaddi, Selena Salang, Heidi Pascual, Kathy Gener, Enzo Zulueta, and Debb Acebu—Shirley is seen by peers and younger artists as one of the most influential ...
The Symphony No. 7 in A major, Op. 92, is a symphony in four movements composed by Ludwig van Beethoven between 1811 and 1812, while improving his health in the Bohemian spa town of Teplitz. The work is dedicated to Count Moritz von Fries .
Love recorded "7 and 7 Is" on June 17 and 20, 1966, at Sunset Sound Recorders, [9] with Jac Holzman producing and Bruce Botnick engineering. [10] The fuzz bass was ultimately abandoned as it overpowered the other instruments, but Forssi was able to achieve a similar sound with the feedback caused by his semi-acoustic Eko bass.